G. Ligaiya Romero documents how two Somali-American cousins are striving to find their place in Lewiston through the hip-hop scene.

There was a time when Maine was marketed as a landscape for escape, known as vacationland. Brett Jenks explores how Maine is now marketed as "The Way Life Should Be."

After twelve years since being documented by Salt, David Lee returns to the Luy family to document how they have adapted to American traditions, and show how their family heritage is still strong.

As the spiritual leader of the Penobscots, Senabeh believes he must make a last stand alongside his peoples. Pamela Wood speaks to Senabeh about how he defines his lonely Indianhood.

As Indian culture begins to move away from traditions, Madas Sapiel speaks on what life used to be like in Penobscot. Sheryl Lane documents the changes that have started within the Penobscot Indian tribe.

Mark Emerson and others capture how three generations of Penobscot Indians are searching through their experiences to define what it means to be a Penobscot living in today's work.

Steve Cartwright, Sheryl Lane and Lynn Kippax Jr. document the lives of individuals who live on Indian Island.

The legend behind the Penobscot River goes that the river itself shaped the culture of Penobscot people, and provided for them. Amanda Abel captures how the Penobscot people deal with the river being used for the needs of the industrial world.

As a native son of Kennebunk, Bertram Hanscom has many stories about the town. Kim Lovejoy visits with Bertram and his wife, Helen, to learn about their pastimes in Kennebunk.

Fleeing Iraq because of their cooperation with American forces, former interpreters have found a new home in Maine. Genevieve Lysen documents the lives of Iraqis living in Maine, and discusses the difficulties they face here in America finding work.

The image that most Americans think of when they hear the term trailer park is not a very appealing one. Susan Skodon captures images at Friendly Village in Gorham, revealing a small home community.

Heather Flor is a Peruvian-American farmer and artist who uses rest as a radical tool. Heather’s mother, María Rosita, and her four-year old nephew, Ediercito, do too.