As the spiritual leader of the Penobscots, Senabeh believes he must make a last stand alongside his peoples. Pamela Wood speaks to Senabeh about how he defines his lonely Indianhood.

Lisa Merlini highlights the lives of Mira Cua and Cong Ba Nguyen, a couple who have different nationalities, but were able to mix and meld them into the family they started.

Growing up watching their mother perform work as a doctor, Dr. Marion Moulton's sons viewed doctoring as woman's work. Carol Kuhn highlights the work Dr. Moulton has done as a doctor in rural Maine.

Standing at four and a half feet tall, Ida Allen can stand up for herself. Anne Gorham documents Allen's life as the daughter of a settler and growing up in the wilderness of Maine.

Losing his vision at a young age, Ken Doane had to give up lobstering. Patricia Dugan documents how Doane still works close to the sea repairing small engines.

Back cover for Maine: A Peopled Landscape.

Rufus Nicoll highlights the work of Matthew Dunlap, Maine's Secretary of State. Nicoll discusses how Dunlap works to keep the documents of the state in order and his everyman image.

Emelia Wallace spends most of her time stenciling trays and antique chairs. E.J. Blake speaks to Wallace about her hobby and the work that goes into stenciling.

Unlike the average homeless shelter, Friendship House houses homeless alcoholics who are attemping to stay sober. Erin Hurney documents the lives and experiences of individuals who stay at Friendship House.

As a native of Augusta and black female, Geneva Sherrer has begun to document the untold story of Maine's black people. Sherrer speaks about her work and desire to tell the history of African Americans in Maine.

Andree Kehn captures sea urchin divers at work in Casco Bay.

Holly Wilmeth captures the work of Raymond Strout, a carpenter by trade, who is a blood wormer by nature.