At Reiche School in Portland, students are able to participate in a multilingual program, blending different social classes and cultures together. Jennifer Fayocavitz covers the stories of immigrants in Maine who attend Reiche School and their experiences at the school.

A delivery man for Pizza Time in Portland, Tom Witkowski highlights his job delivering pizza to customers. Witkowski speaks about his love for pizza and his experiences while on the job.

At Reiche School in Portland, students are able to participate in a multilingual program, blending different social classes and cultures together. Jennifer Fayocavitz covers the stories of immigrants in Maine who attend Reiche School and their experiences at the school.

Playwright Michael Gorman has been writing and rewriting a series of plays about the opioid epidemic for over two decades. Producer Emily Reeves tells the story of his epic artistic quest that spans from theaters to job sites to a recovery center in Augusta, Maine. Music by Alex Mejia. Archival footage courtesy of The La MaMa Archives/Ellen Stewart Private Collection, and The Forty Hour Club. “Welcome to La MaMa” from La MaMa Cantata courtesy of the Elizabeth Swados Estate.

Introduction to Maine: A Peopled Landscape by Hugh T. French, who writes about the changing face of Salt and Maine.

Staff, contributors, trustees, and academic board members are listed.

In an effort to solve the graffiti issues in Lewiston, the city designated an specific area for artists to tag and paint, while outreach groups commissioned artists. Rebecca Cohen discusses the topic of graffiti with Brian Serfes, who became the face of graffiti in Lewiston, about his attitudes towards this form of art, and law enforcement.

During the 1950's, a colony of Slavic immigrants came to Richmond, Maine. Gretchen Batz documents how the Slavic community integrated into the town.

Carolyn Vig reports on the Candian Pacific Railroad, discussing the railroad from the perspective of employees and train passengers. Vig covers the experience of passengers on the train and the opinions of railroad employees regarding the railroad.

When Laura Boach decided to write a horror story about the horror genre, she knew that fear would be part of the equation. But she never expected it to bring her face-to-face with religious monsters from her past. In The Final Girl, you’ll journey through Stephen King’s mind in Bangor, Maine, face spooky characters at the Farmington Fright Fest, and eavesdrop on a psychic reading. Part horror, part memoir, and part social commentary, The Final Girl will guide your ears to some scary places. CONTENT WARNING: This story contains issues regarding religious trauma.

List of donors to the Salt Institute.

Table of contents for the Salt 2005-2006 Magazine.