Sara Crystal documents the work of Gal Frey, a basket weaver from Indian Township.

Pamela Wilson visits the Old Town Canoe Company to document the creation of traditional wooden canoes.

Merrill Maiano explores the intricacies of the beer brewing process and industry from a smaller level. Maiano speaks with homebrewers and learns how brewing beer is treated as an art form.

Communities can be bound together by a number of reasons, and for the community in Munjoy Hill, the restoration of St. Lawrence Church brought back a sense of community. Pam Carter discusses the restoration efforts of the community and details the project.

In Lewiston, Bates Fabrics and the L.L. Bean Telemarketing Center are only a few hundred yards from each other. Dan Stewart explores how these industries marks Lewiston as changing from an industrialized textile town to a service-based city.

In Lewiston, Bates Fabrics and the L.L. Bean Telemarketing Center are only a few hundred yards from each other. Tonee Harbert captures how these industries mark Lewiston as changing from an industrialized textile town to a service-based city.

Speaking up against the Iraq War, Dexter Kamilewicz became the representative for veterans, mothers, fathers and wives to run for Congress on an anti-war, peace platform. Steve Brown highlights the life of Kamilewicz, speaks about his connections to the Iraq War, and running for Congress on a peace platform.

In Lewiston, Bates Fabrics and the L.L. Bean Telemarketing Center are only a few hundred yards from each other. Dan Stewart explores how these industries marks Lewiston as changing from an industrialized textile town to a service-based city.

Sally Steindorf speaks with members of varying Indian tribes to learn about basketmaking and the brown ash.

Heather Hay captures a photograph of Chris Patles holding a brown ash log near Fred Moore Jr.

Marla Ulrich captures the intricacies of the beer brewing process and industry from a smaller level.

Heather Flor is a Peruvian-American farmer and artist who uses rest as a radical tool. Heather’s mother, María Rosita, and her four-year old nephew, Ediercito, do too.