Hannah Welch captures the local music scene in Maine.

Although country music generally finds more popularity in the south, the country music scene in Maine has a large following. Fielder Mattox captures how country music plays a role in certain communities of Maine.

In the French Canadian community in Biddeford, Toots Bouthot makes makes his music. Dana Gillian documents Bouthot's passion for music.

Having travelled to Trinidad and Tobago growing up, Nigel Chase developed a love for Calypso and steel drum music. Alexandra Brahler captures Chase's entry into steel drum music, and performing in his small coastal community of Brooksville.

Contra dancing is a cherished cultural experience in Maine, which involves folk music and people of all generations participating. Lauren Lamont documents how some young people are bringing techno music to contra dancing, and how it interacts with their New England roots.

Liza Semler captures the music group Cerberus Shoal.

Michael Kautz captures the world of musicians who perform traditional music.

Lily Chatterjee captures the activities and members of the Mid-Coast Chamber Orchestra. Darling speaks to the members about their time with the orchestra and their thoughts on music.

In order to give his community the gift of music, Don Roy began to teach the fiddle to people of all ages and backgrounds. Adrienne Miller captures the work done by Fiddle-icious.

Carrying a tradition of black storytellers, Samuel James is trying to expend the genre of Blues music called songsterism. Casey Atkins captures James' life.

Sabrina Haley documents the lives of members of the Cambodian community as they bring their culture to life through music and dance.

Isaac Kestenbaum and Kate Hassett capture the work of Galen Richmond, who creates music and noise from old electronics.